Layne Waerea

PAWA Profiles

Layne Waerea

PAWA Profiles

art interventions that seek to question and challenge social and legal rules of preferred behaviour in the public sphere

Performance Artist
2023

Layne Waerea

PAWA Profiles

Layne Waerea

PAWA Profiles

art interventions that seek to question and challenge social and legal rules of preferred behaviour in the public sphere

Biography

Layne Waerea
Performance Artist

Links

Performances + Writings

Biography

Performance Artist

Layne Waerea (Ngāti Wāhiao, Ngāti Kahungunu, Pākehā) is an Aotearoa-based artist whose practice involves carrying out performance art interventions that seek to question and challenge social and legal rules of preferred behaviour in the public sphere. As a former lawyer, and now a part-time lecturer in law and visual art theory, Waerea uses this experience to inform her performance interventions with a particular focus on how te Tiriti o Waitangi could continue to play a critical role in the developing cultural fabric of Aotearoa New Zealand. Layne Waerea has a PhD from AUT and is a lecturer in the School of Art and Design at AUT, and is the current president of the chasing fog club (Est. 2014).

Waerea was last seen wearing a bespoke, repurposed protective free sweatsuit, and free sweat cushion bag on the streets of Ngāmotu New Plymouth as part of ‘Public Relations: a performance series’ at Govett-Brewster Art Gallery, and engaging in gentle exercise and social conversation at Papakura Art Gallery in 2022.

Performances + Writings

Events + Writings

events
Workshop
2023
events
The privacy of sound
2023
events
The privacy of sound
events
Exhibition
2023
events
Exhibited Works
2023
events
Exhibited Works
journal
Response
January 31, 2024
journal
Sraddha Venkataraman on Layne Waerea’s ‘The Privacy of Sound’
Response
January 31, 2024
journal
Sraddha Venkataraman on Layne Waerea’s ‘The Privacy of Sound’
journal
Opinion
February 10, 2024
journal
Festival overview by Frances Pavletich
Opinion
February 10, 2024
journal
Festival overview by Frances Pavletich

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